PROJECTS


2025


BU MFA 2025 ExhibitionVisual Identity
Scroll(s)
Exhibition Design
Index—Open / Index—ClosedExperimental Book Design
111 FT
Participatory Design
Linear Loop
Experimental Book Design


2024


BU MFA 2024 ExhibitionVisual Identity
Tara Donovan: HyperobjectsPublication Design
Typographic Constraints
Participatory Design
Shifting Perspectives
Publication Design
BU GD Studio Website
Website Design
REACT
Experimental Book Design
Craquelure
Typeface Design
What If / Then
Generative Design
Research & PublishPublication Design

Angular AntiquaTypeface Design
Angular Antiqua, specimenExperimental Design

AI__&&__MEZine

Meet Me in MontgomeryInstallation, Publication

A Designer’s Guide to Pricing 
Risograph WorkPublication Design
Ashley James Keynote LecturePoster

Enclosed Conversations: Levels of Exchange Between FriendsPublication Design

StorefrontsPoster, Risograph

Words In Translation: My Life in FrancePublication Design

Multiple WorkshopsPoster

Selected Voices from Native America
and Syllabics TypographyPublication Design
Prem Krishnamurthy LecturePoster

2023


Script & ScreenPublication Design

Designing ProgressPublication Design

Animal BooksOrigami Books

APhotography Book

Graphic Design is Serious, 
Not Solemn Publication Design, Risograph

2022


Family TreePoster
Jewelry CollectionPoster


Tara Donovan: Hyperobjects
Publication Design
2024

    SIZE: 11 x 8 ½ in.
    BINDING: Perfect
         This artist monograph centers on the work of Tara Donovan, whose large-scale sculptures are composed of everyday, often disposable materials such as Styrofoam cups, plastic straws, paper plates. Her practice transforms these objects into vast, intricate forms that challenge perception and scale. From a distance, her installations appear organic, architectural, or even geological. Only up close does the material origin become clear.

    The design of the monograph responds directly to this conceptual transformation. The book's proportions are based on an 8 ½ × 11 inch sheet of printer paper—a format so familiar that it becomes almost invisible. The text is set entirely in Arial, one of the most widely used typefaces in the world. These choices emphasize the mundane and ubiquitous, echoing Donovan’s materials while reinforcing the idea that extraordinary meaning can emerge from ordinary things.




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