PROJECTS


2025


BU MFA 2025 ExhibitionVisual Identity
Scroll(s)
Exhibition Design
Index—Open / Index—ClosedExperimental Book Design
111 FT
Participatory Design
Linear Loop
Experimental Book Design


2024


BU MFA 2024 ExhibitionVisual Identity
Tara Donovan: HyperobjectsPublication Design
Typographic Constraints
Participatory Design
Shifting Perspectives
Publication Design
BU GD Studio Website
Website Design
REACT
Experimental Book Design
Craquelure
Typeface Design
What If / Then
Generative Design
Research & PublishPublication Design

Angular AntiquaTypeface Design
Angular Antiqua, specimenExperimental Design

AI__&&__MEZine

Meet Me in MontgomeryInstallation, Publication

A Designer’s Guide to Pricing 
Risograph WorkPublication Design
Ashley James Keynote LecturePoster

Enclosed Conversations: Levels of Exchange Between FriendsPublication Design

StorefrontsPoster, Risograph

Words In Translation: My Life in FrancePublication Design

Multiple WorkshopsPoster

Selected Voices from Native America
and Syllabics TypographyPublication Design
Prem Krishnamurthy LecturePoster

2023


Script & ScreenPublication Design

Designing ProgressPublication Design

Animal BooksOrigami Books

APhotography Book

Graphic Design is Serious, 
Not Solemn Publication Design, Risograph

2022


Family TreePoster
Jewelry CollectionPoster


Storefronts
Poster, Risograph
2024

  • SIZE: 34 × 52”, 11 × 17”

Read my blog post about the project hereSomething that always intrigues me when I’m driving is store signs. I always find myself looking at them, thinking about the font choices, the alignment, and the colors. I never get the chance to stop and really look at these signs, so this project presented the perfect opportunity to finally do so.


The biggest challenge for this project was figuring out exactly what data I wanted to analyze about the signs as a whole. I knew I wanted my main focus to be typography, but figuring out what specific parts of the type to look at was initially a challenge. Ultimately, I created an excel sheet, charting data about the type color, the type of font used, font style, font weight, alignment, and hierarchy levels. I created graphs and charts for each portion of the data I collected, and arranged them on the poster with all of the signs pictured in a grid formation. This way, the viewer is able to see each sign in its true, original form and compare this with the data as a whole.



AMANDA MUNDY DESIGN

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