PROJECTS


2025


BU MFA 2025 ExhibitionVisual Identity
Scroll(s)
Exhibition Design
Index—Open / Index—ClosedExperimental Book Design
111 FT
Participatory Design
Linear Loop
Experimental Book Design


2024


BU MFA 2024 ExhibitionVisual Identity
Tara Donovan: HyperobjectsPublication Design
Typographic Constraints
Participatory Design
Shifting Perspectives
Publication Design
BU GD Studio Website
Website Design
REACT
Experimental Book Design
Craquelure
Typeface Design
What If / Then
Generative Design
Research & PublishPublication Design

Angular AntiquaTypeface Design
Angular Antiqua, specimenExperimental Design

AI__&&__MEZine

Meet Me in MontgomeryInstallation, Publication

A Designer’s Guide to Pricing 
Risograph WorkPublication Design
Ashley James Keynote LecturePoster

Enclosed Conversations: Levels of Exchange Between FriendsPublication Design

StorefrontsPoster, Risograph

Words In Translation: My Life in FrancePublication Design

Multiple WorkshopsPoster

Selected Voices from Native America
and Syllabics TypographyPublication Design
Prem Krishnamurthy LecturePoster

2023


Script & ScreenPublication Design

Designing ProgressPublication Design

Animal BooksOrigami Books

APhotography Book

Graphic Design is Serious, 
Not Solemn Publication Design, Risograph

2022


Family TreePoster
Jewelry CollectionPoster


Shifting Perspectives: Typography and Graphic Design in Education
Publication Design
2024

    SIZE: 9 x 6  in.
    BINDING: Perfect
         Shifting Perspectives is a reader exploring typography and graphic design in education, featuring essays that span global perspectives from South African identity design to Turkish typographic traditions. The collection examines how context, culture, and politics shape visual communication. I designed the book to echo the core concept of the title: a constant shifting of viewpoint and structure.

    All of the design decisions in the book physically enact this idea. On the cover, the title itself is pushed across multiple lines, shifting the reader's perspective. Inside, essay subtitles move underneath each main title; author names are intentionally pushed to the bottom of each opening spread, creating a gap that reinforces visual hierarchy through absence. Page numbers tuck into the interior margins, breaking convention. Images are always centered, while text dynamically flows around them, reflecting the book’s central theme: how design, like perspective, is always in motion.




    AMANDA MUNDY DESIGN

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