PROJECTS


2025


BU MFA 2025 ExhibitionVisual Identity
Scroll(s)
Exhibition Design
Index—Open / Index—ClosedExperimental Book Design
111 FT
Participatory Design
Linear Loop
Experimental Book Design


2024


BU MFA 2024 ExhibitionVisual Identity
Tara Donovan: HyperobjectsPublication Design
Typographic Constraints
Participatory Design
Shifting Perspectives
Publication Design
BU GD Studio Website
Website Design
REACT
Experimental Book Design
Craquelure
Typeface Design
What If / Then
Generative Design
Research & PublishPublication Design

Angular AntiquaTypeface Design
Angular Antiqua, specimenExperimental Design

AI__&&__MEZine

Meet Me in MontgomeryInstallation, Publication

A Designer’s Guide to Pricing 
Risograph WorkPublication Design
Ashley James Keynote LecturePoster

Enclosed Conversations: Levels of Exchange Between FriendsPublication Design

StorefrontsPoster, Risograph

Words In Translation: My Life in FrancePublication Design

Multiple WorkshopsPoster

Selected Voices from Native America
and Syllabics TypographyPublication Design
Prem Krishnamurthy LecturePoster

2023


Script & ScreenPublication Design

Designing ProgressPublication Design

Animal BooksOrigami Books

APhotography Book

Graphic Design is Serious, 
Not Solemn Publication Design, Risograph

2022


Family TreePoster
Jewelry CollectionPoster


REACT
Experimental Book Design
2024

    SIZE:     9 x 6 in. 
    BINDING: Coptic stitch     REACT is an experimental book that explores the relationship between form and legibility. While the content follows traditional typesetting standards to ensure optimal readability, the book’s physical form intentionally disrupts that clarity. This tension between internal precision and external obstruction drives the concept.

    The most extreme feature is the 3D-printed cover. A large, dome-like protrusion extends from the front cover and recedes on the back, physically preventing the book from being fully opened. The title, REACT, is extruded from the front and inverted into the back, echoing the dome shape. This intervention transforms the book from a neutral object into something that resists being passively read.

    Inside, the layout maintains clear hierarchies and strong typographic structure, but the legibility is repeatedly undercut by circular cut-outs that remove portions of the text. These interruptions appear at unpredictable intervals, forcing the reader to confront what is missing. Reading becomes fragmented—not because of how the text is designed, but because of how the object behaves.




    AMANDA MUNDY DESIGN

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