PROJECTS


2025


BU MFA 2025 ExhibitionVisual Identity
Scroll(s)
Exhibition Design
Index—Open / Index—ClosedExperimental Book Design
111 FT
Participatory Design
Linear Loop
Experimental Book Design


2024


BU MFA 2024 ExhibitionVisual Identity
Tara Donovan: HyperobjectsPublication Design
Typographic Constraints
Participatory Design
Museum Wayfinding Proposal
Signage Design
Shifting Perspectives
Publication Design
BU GD Studio Website
Website Design
REACT
Experimental Book Design
Craquelure
Typeface Design
What If / Then
Generative Design
Research & PublishPublication Design

Angular AntiquaTypeface Design
Angular Antiqua, specimenExperimental Design

AI__&&__MEZine

Meet Me in MontgomeryInstallation, Publication

A Designer’s Guide to Pricing 
Risograph WorkPublication Design
Ashley James Keynote LecturePoster

Enclosed Conversations: Levels of Exchange Between FriendsPublication Design

StorefrontsPoster, Risograph

Words In Translation: My Life in FrancePublication Design

Multiple WorkshopsPoster

Selected Voices from Native America
and Syllabics TypographyPublication Design
Prem Krishnamurthy LecturePoster

2023


Script & ScreenPublication Design

Designing ProgressPublication Design

Animal BooksOrigami Books

APhotography Book

Graphic Design is Serious, 
Not Solemn Publication Design, Risograph

2022


Family TreePoster
Jewelry CollectionPoster


Angular Antiqua
Typeface Design
2024

  • SIZE: 5.8 × 8.25”
  • BINDING: Loop staples
Angular Antiqua is a revival typeface based on Vojtêch Preissig’s font, Preissig Antiqua.  Preissig was a Czech typographer, printmaker, designer, illustrator, painter and teacher. His aim in designing the original typeface was ‘to protest against the mechanical roundness and polish of ordinary fonts by making an attempt at impeccable proportions.’ 

The typeface is characterized as having no curves, only being made up of straight lines, angles, and wedges. 
Angular Antiqua brings a modern take to Preissig’s original design, aiming to streamline the original characteristics, such as the serifs, line weights, contours, glyphs and symbols, and some letterforms themselves. The images displayed here are of the printed typeface specimen.


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